Info
Own production

Co-production: S/S Hestmanden – Norwegian war sailor museum
Duration: 70 minutes

World premiere:
9th of September, 2022
Playing dates: 10th, 11th and 16th-18th of September, 2022
The Cultural Schoolbag (DKS): 17th-20th of October, 2022
Tour 2023:
Kristiansand: 22nd-25th of June and 30th of June-2nd of July
Langesund: 7th-8th of July
Horten: 10th-12th of July
Moss: 14th-16th of July
Oslo: 19th-23rd and 27th-30th of July
Risør: 2nd-3rd of August
Sandefjord: 5th-6th of August
Mandal: 9th-12th of August
Cast and creatives
CAST
Oskar: André Lassemo
Ingvald: Jon Erik Myre

Narrator (voice over):
Lasse Lindtner
Captain Jentoft (voice over): Åsmund-Brede Eike

CREATIVE TEAM

Playwright: Jon Erik Myre and André Lassemo
Director and dramaturge: Åsmund Brede Eike
Script consultants: Kristian Landmark and Kjetil Kro Sørborg
Composer/musical director: Jon Erik Myre
Musical arrangers: Jon Erik Myre and Tormod Tvete Vik
Producers: Jon Erik Myre and André Lassemo
Co-producer (West coast, 2024): Ingvild Lunde Norum
Orchestrator: Lars Lunde
Costume design: Rebecca Dahle
Costume makers: Rebecca Dahle, Ylva Lovise Bolkan and Anita Bojarska
Set design and props: Kanon Produksjon and Richard Olsen
Sound designer: Kristian Bronebakk
Light designer and technician – Kristiansand and tour: Victor Phillipson
Technician – Kristiansand: Anders Hardeland
Technician – Oslo: Enrique Lietor

PR

Poster photo: Simon Scotting and Hilfred Mikalsen
Poster design: Gunstein Myre and Jon Erik Myre
Playbill and show photos: Gunstein Myre
Venue
S/S Hestmanden // Bredalsholmen Dokk og Fartøyvernsenter, Andøyveien, Kristiansand
Funding by
Summer tour 2023 is funded by: Leif Høeghs stiftelse, Oslo kommune, Kristiansand kommune, Agder fylkeskommune, Fond for utøvende kunstnere, Fritt ord, Anders Jahres humanitære stiftelse, Bamble kommune, Horten kommune, Horten Apartment, Radisson Blu, Mandal Hotel, Hotel Vic and Oslo Havn

Premiere was funded by: Fritt Ord, Bergesenstiftelsen, Tom Wilhelmsens stiftelse, Agder fylkeskommune, Scenekunst Sør, Cultiva Ekspress, Kristiansand kommune and Fond for frilansere

Development was funded by: Fritt Ord, Agder Fylkeskommune, Cultiva Ekspress and Scenekunst Sør
Special thanks
Stian Engedal Lunde, Gro Eikeland and Thea Eriksen v/Vest-Agder-museet, Lars Lunde, Ragnar Bjerkreim, Andreas L. Molde, Hilfred Mikalsen, Anne Helene Halvorsen, Anita B. and Roald Straumann, Kai Haugen, Jan Oskar Leonhard Pettersen, Myre and Lassemo families.

The Lucky Ship

– a war sailor story

by Jon Erik Myre and André Lassemo

World War II is in full swing. The Norwegian merchant fleet becomes a piece in a total war, and Norwegian sailors are suddenly in the middle of the heat, whether they want it or not. Our story begins when the news that the Germans have occupied Norway has just reached the crew. We follow the characters Ingvald and Oskar, two brothers-in-law who work on board the ship S/S Hestmanden. Their journey, the situations the ship and its crew end up in, and the return home, are presented through encounters between them, literally between battles.

The play is based on documents and interviews conducted by war sailors during World War II. The historical background to this piece, as well as the ships experiences, is based directly from sources taken from the Norwegian War Sailors Museum at the Vest-Agder Museum. The two main characters’ lives, experiences, and conversations with each other are fictional, but are inspired by interviews of former war sailors. The production is a collaborative project between the theatre company Kanon Produksjon and S/S Hestmanden – Norwegian War Sailor Museum at the Vest-Agder Museum, and will be played on board the ship S/S Hestmanden in September 2022 and on tour summer 2023.

See playbill

Listen on Spotify

Creative team

André Lassemo
“Oskar” (2022/23)

Jon Erik Myre
“Ingvald”

Lasse Lindtner
Voice over

Ronnie Mega Herdlevær
“Oskar” (2024)

Rebecca Dahle
Costume designer

Kristian Bronebakk
Sound designer

Victor Phillipson
Light designer/technician

Reviews

Review 2023

A powerful experience 
On Saturday 12 August, I had the pleasure of experiencing the play “The lucky ship” – on board S/S Hestmanden – the actual lucky ship, at the port in Mandal. The ship, built in 1911, has survived two world wars, and this summer housed the stage for a theatre performance created by Kanon Produksjon. The script has been prepared jointly by Jon Erik Myre and André Lassemo. The two also have roles in the play, the former plays Ingvald and the latter Oskar, two fictitious war sailors who gather much of the experience that comes to light in a number of interviews with former war sailors. Åsmund Brede Eike is the director and dramaturg. The production has been created in collaboration between Kanon Produksjon and S/S Hestmanden – Norwegian Naval Museum.

The performance is strong and makes a deep impression. First of all, the two actors are very good in portraying these two, who are also brothers-in-law and it is no coincidence that they end up on the same ship in Norway being occupied by Nazi Germany.

We follow them through life, land law and Christmas Eve at sea, and even more through anxiety and horror, despair and horror – all believably and vividly played by two bundles of energy who know their craft. It will be a story about war sailors’ anxiety in general, and more specifically about two men who get to know each other under extreme stress, and thus about recognition of what both family ties and even more friendship ties mean when things are at their worst.

I happened to have two foreign guests with me who do not speak Norwegian. They were a little informed about what it was going to be about. But the reaction afterwards speaks for itself: They were both moved and shaken by what they referred to as outstanding physical theater in the fantastic surroundings offered by the cargo hold in the bow of Hestmanden. If the show is to live on and this summer’s theater tour is to be repeated in a later year, I have no hesitation in giving it my strongest recommendation.

Emil Otto Syvertsen
Member of Norwegian Critics Association

Audience reviews 2023
Audience reviews 2022